![]() Richard Anderson (whom I once met, 8 years ago) is perfectly chilling as the sociopathic Dr. The city of Seattle is used to great effect in the film, especially the Underground, which creates a nicely modern-gothic atmosphere. Malcolm Richards (Richard Anderson of “The Six Million Dollar Man”) who must kill every 21 years in order to extract blood for an elixir he’s created which grants him a sort of chemical immortality. The killer turns out to be a Civil War-era surgeon named Dr. Inexplicably rehired by his former editor Tony, he is on the trail of yet another supernatural serial killer this one strangles young women, leaving bits of decayed flesh around their necks. The sequel, “The Night Strangler”, also written by Richard Matheson, would see Carl landing on his feet in Seattle after being run out of Las Vegas. Richard Anderson plays a murderous immortal living beneath Seattle in 1973’s “The Night Strangler” a second pilot and proof of concept for the Kolchak TV series a year later… The ratings for this first Kolchak TV movie were superb, and a followup film came one year later. The pairing of star Darren McGavin (“Man With the Golden Arm”) and Simon Oakland (“Psycho”) was pure gold, but Carol Lynley (“The Poseidon Adventure”) feels a bit like a fifth wheel in the mix, despite leading her beau Carl to follow a supernatural bent for his story. I was a bit too young at the time to see this TV-movie in first run, but I would catch it (and enjoy it) in reruns, and it’s similar to more lighthearted show that would eventually follow. The seeds of a good idea are all here–Carl’s unique brand of irreverence, his delicious antagonism with Tony, and the noir-ish backdrop of a sleazy city being stalked by a true monster. One of the highest rated TV movies of its time. Kolchak squares off against vampire Janos Skorzeny (Barry Atwater)in the original 1972 “Night Stalker” TV movie. Carl is also told to leave the city of Las Vegas or face murder charges. A decidedly less-than-happy ending sees Skorzeny defeated, but Gail is kicked out of the city (it’s implied she’s a hooker), and all evidence of Carl’s final showdown with the ancient vampire is whitewashed and covered up. Carl eternally taxes the patience of his boss, Tony Vincenzo (Simon Oakland), who recognizes Carl’s tenacity, but wishes he’d stick to traditional story material instead of monster-hunting. “The Night Stalker” (1972) told the story of a rumpled, middle-aged Las Vegas newshound named Carl Kolchak (a wonderfully wry Darren McGavin) who, at the urging of his ‘entertainer’ girlfriend Gail (Carl Lynley), tracks down a modern day vampire named Janos Skorzeny (Barry Atwater). ![]() The first two Kolchak TV movies (1972-1973). “The Night Stalker” was a TV movie based on a then-unpublished novel by Jeff Rice that was adapted by legendary horror author/screenwriter Richard Matheson (“The Twilight Zone,” “I Am Legend,” “Stir of Echoes”), which became so popular in ratings that it spawned a sequel which served as a pilot for an eventual TV series. Darren McGavin is the straw hat and seersucker suit-wearing rogue reporter Carl Kolchak, a tenacious reporter who moonlights (sometimes during working hours) as a Van Helsing-style monster slayer. As a then-8 year old monster freak, I used to devour new episodes of this show every Friday night for the single season it was broadcast ( no VCRs, DVRs or laptop streaming back then you watched what was on when it was on). It was the same show that inspired a teenaged Chris Carter to create “The X-Files” nearly 20 years later. That said, I want to discuss an old horror show that I loved as a kid. In 30 years, I guarantee that many popular movies and TV shows of today will be shockingly offensive to viewers of 2050. Personally, I’m all for updating my mental firmware to current sensibilities as often as possible, but I can still recall the cultural zeitgeist of a given time whenever I’m watching older movies and TV shows. No, it’s not acceptable today, but it was a result of ignorance, not deliberate malice. ![]() When watching many shows of that time today, there are many casually sexist/racist terms, cultural appropriations and other unwitting offenses tossed about like so much candy corn at Halloween. In order to understand and appreciate this series I’m about to get into, modern readers should understand that the 1970s were a very different era we’re talking nearly a half-century ago.
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